This epistolary text responds to the work of Mogaje Guihu, whose first solo exhibition opened at BALTIC Centre for Contemporary…
Who is the city for? – Sara Jaspan Meets The Neighbours
With asylum seekers moved out of increasingly exclusive city centres and affordable housing targets going unmet, Sara Jaspan reports on…
Artist Publication: A City Goes To Sea
‘A City Goes To Sea’ is a limited-edition publication with essays by artist Jenny Steele and writer Sara Jaspan responding…
Exhibition Catalogue: Sweet Debris
An extract from ‘Hannah Farrell: Transparent Envelopes’, a contributing essay to the Sweet Debris exhibition catalogue.
Marc Bauer: Mal Ȇtre / Performance at Drawing Room, London
‘Mal Ȇtre / Performance’ by Marc Bauer explores the motif of people on boats throughout history, from ancient Greece to…
Frieze: How Do We Achieve a Global Conversation Without Entering a Pre-Babel World?
A report on MIF 2019 commission, Studio Créole (co-curated by Adam Thirlwell and Hans Ulrich Obrist) for Frieze.
Jennie Franklin: Well Done, Good Draw at Bury Art Gallery & Sculpture Centre
I’ve never met Manchester-based artist Jennie Franklin. But I feel like I have. Her drawings – filled with humour, honesty…
“The democratic art of conversation-based writing”: Practising Place Book Review
In his co-authored contributing chapter to Practising Place(2019), a new book published by Art Editions North, researcher, typographer and writer Paul Wilson…
Jack Brown: Scraps of Paper, Snatches in Time
She forgot his name! Did they make up the next morning in class or never quite get over the rocky…
Rosanne Robertson: Slipping. Suspended.
“I see it as a political act, actually – getting in touch with my own body,” she tells me over…
